The Setlist

Mammoth @ Citizens House of Blues, Boston, MA

Mammoth at Citizens House of Blues in Boston, MA

November 18, 2025

8–11 minutes

Boston, Citizens House of Blues, House of Blues Boston, Kerri Nelson Media, Mammoth, Massachusetts, Myles Kennedy, Return To Dust, The End

Mammoth delivered soaring guitar riffs and anthemic vocals to a packed House of Blues in Boston, MA, performing on the heels of releasing their third studio album, The End.

On a cold night in Boston, rock fans of all ages descended upon the Citizens House of Blues for an evening rooted in good old-fashioned rock music—complete with grungy, cinematic vocals and soaring guitar solos. Both Mammoth and Myles Kennedy are known not only for their technical and intricate playing, but for matching melody, lyricism, and emotional weight in a way that elevates each song into something memorable.

The End Tour is just about halfway through its run, and Mammoth isn’t losing an ounce of momentum. Night after night, the band continues to deliver a full-throttle performance for fans who show up ready to feel every riff and rhythm in their bones.

Opening the night was the L.A.-based trio Return to Dust. While their foundation is heavily rooted in that unmistakable ’90s Alice In Chains grit, the band has carved that classic grunge influence into something fresh—something distinctly modern and aligned with today’s rock landscape. Their six-song set made that clear from the jump.

Video: Front Seat Pete

Sebastian Gonzalez’s wailing guitar lines paired seamlessly with Matty Bielawski’s vocals, which channel the haunting richness of Layne Staley while still feeling wholly his own. Together, they powered through a set that showcased a band both honoring its influences and pushing the genre forward.

The band released their self-titled debut album in 2024 and has been steadily carving out their place in the modern rock scene ever since. Their newest EP, Speak Like the Dead, arrived in August 2025, followed by their latest single, “New Religion,” which dropped this past October. In just a short span, they’ve toured extensively with acts like Sevendust and Mammoth and landed slots at major festivals including Sonic Temple and Inkcarceration. It’s fair to say these guys are just getting started—and their future looks exceptionally bright.

Return To Dust Setlist

Black Road
Shine
New Religion
Bored
Belly Up
When You Look at Me

Return To Dust @ Citizens House of Blues, Boston | Photos By: KERRI NELSON

Photos By: Kerri Nelson Media

Myles Kennedy was next, an absolute heavyweight and one of the most technically gifted guitarists and vocalists in modern rock. Seeing his name on the same bill as Mammoth all but guaranteed a massive night of rock and roll—and that’s exactly what Boston got.

Born at Beth Israel just down the street from the House of Blues, Kennedy has spent decades shaping the sound of modern rock through his work with Alter Bridge, Slash featuring Myles Kennedy and the Conspirators, and his steadily expanding solo catalog. His ability to shift from soulful restraint to full-throttle power has cemented him as one of the most dynamic frontmen in the industry. With new solo material underway and continued work with both Alter Bridge and Slash, Kennedy is in one of the most creatively prolific eras of his career.

He took the stage at 7:45 p.m., immediately coming out swinging with “The Art of Letting Go.” The track pulled the crowd in instantly, its emotional weight giving way to commanding guitar riffs that set the tone for a set built on power, precision, and heart.

And Kennedy’s momentum isn’t slowing anytime soon. Heading into 2026, Alter Bridge is gearing up for their massive What Lies Within Tour, set to kick off in Hamburg, Germany, on January 15, 2026. The run will stretch across Europe through March before heading to the U.S. for a string of dates running into June. Select shows will feature support from Sevendust, Daughtry, and Filter—making it one of the most stacked rock lineups of the year. The tour arrives just days after the release of Alter Bridge’s newest self-titled album, dropping January 9, 2026.

Myles Kennedy Setlist

The Art of Letting Go
Nothing More to Gain
Miss You When You’re Gone
Behind the Veil
Mr. Downside
Get Along
In Stride
Say What You Will

Myles Kennedy @ Citizens House of Blues, Boston | Photos By: KERRI NELSON

Photos By: Kerri Nelson Media

Mammoth hit the stage just before 9 p.m. to the iconic AC/DC song “Night Prowler.” A stellar way to start off a night of rock music, they then went right into “One of a Kind” off the brand-new album The End. Though the album has only recently been released, the fans in the audience knew all the words to the song, or rather, all the songs they played off the new album.

One thing Mammoth is consistently known for is the connection they share with their fans. Much like Kennedy, the band engages on a deeper, more personal level—making eye contact, interacting between songs, and creating an experience that feels immersive from the first note. It’s obvious they’ve built genuine relationships with their ever-growing fan base.

That connection was on full display only a few songs into the set, when a fan tossed a Boston Bruins jersey onto the stage with Wolf’s name across the back. Clearly stunned and genuinely appreciative, Van Halen held the jersey up for the entire House of Blues to see. It was a perfect example of how close the fans feel to the band—and how warmly the band embraces that connection.

Van Halen paused after “Epiphany,” off his 2021 self-titled debut album, taking a moment to soak in the scene as the crowd roared back at him. Grinning, he told them, “We just got started!” before explaining that the band was on this tour because they had just released a new album. The crowd erupted again as he asked, “Does anybody like it?”

He then introduced the next track, “Same Old Song,” off the new album. He explained that it was the follow-up to “The End,” the video where the entire band—along with Kennedy and a few other familiar faces—turned into zombies and werewolves. Laughing, he said they had to make a video for “Same Old Song” so everyone would know they didn’t actually transform into zombies and werewolves.

The music videos themselves are cinematic masterpieces, perfectly aligned with the sound Mammoth has become known for. The solos are soaring and anthemic, the kind that make you want to drive a little faster, run a little harder, and scream the lyrics right back. They are complete masters of their craft. From the vocals to the guitars, the drums to the bass lines—everything is infectious, stuck in your head, and getting you to crave listening to it again and again.

The night continued to roll on with hit after hit, touching on the band’s entire discography. Van Halen paused between songs to reminisce about their early days, recalling when they opened for Guns N’ Roses at Fenway Park—and how the House of Blues had actually been Guns N’ Roses’ dressing room. He laughed as he talked about how every tour seems to bring them into slightly bigger venues, proudly noting that this time they even had a screen. He brought it up several times throughout the night, each mention earning another round of laughter from the crowd.

With a new show built around a new album, the band set out to elevate their performances to a completely new level—reimagining older songs and transforming them into something fresh and different. Standing by the piano, with the screen behind him showcasing atmospheric visuals, Wolf launched into a drastically different version of “Stone” from the first album. The moment immediately resonated with fans of Nine Inch Nails, capturing that unique visual element that immerses you in the experience not just through audio but visuals. After the song, he mentioned that he had seen a few NIN shows that inspired him. All of the artwork displayed on the screen throughout the night was created by artist Wayne Joyner.

“Distance” off the first album slowed down the night and added an emotional twist as videos of a young Wolf Van Halen with his late, great dad Eddie Van Halen played on the screen behind him. There wasn’t a dry eye in the house as the song built in intensity, grabbing the heartstrings of anyone who has lost someone close to them.

Mammoth has done an incredible job carving out their own path in modern rock. The sheer talent of Wolfgang Van Halen (vocals), Jon Jourdan (guitar), Frank Sidoris (guitar), Ronnie Ficarro (bass), and Garrett Whitlock (drums) has gotten them to where they are today. It’s less about the Van Halen name and more about the skill set and artistry that every single one of them brings to the table. They truly are a powerhouse of music.

During “All In Good Time,” Van Halen spoke about how streaming services suggest that people don’t make it past the seventh song on a record and joked that if you were streaming it, there’s a good chance you haven’t heard this one yet. The crowd yet again proved just how massive and dedicated their fan base is as they knew every single word to the very last song off The End.

The night finished with an encore of “Don’t Back Down” off the first album and the first single and title track for the new album and tour, “The End.” If you haven’t seen “The End” live, you are missing out. It is something that is so fun to watch. The solos are played so effortlessly, and it’s just so cool to watch Van Halen shred the guitar.

Mammoth continues their tour through mid-December, with additional dates already lining up for next year. And if their current momentum is any indication, there’s no doubt even more is on the horizon. Mammoth is a must-see for any fan of rock and roll, and for anyone who appreciates musicians with the technical skill to craft soaring, catchy riffs and unforgettable performances. We at The Setlist can’t wait to see what they do next.